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Genre-bending duo Neon Sines has released their new song “Adeline,” an ‘80s-inspired synth-pop track that blends fuzzy guitars, pulsing bass, and a bumping dance beat. Teaming up with renowned synthwave vocalist Ollie Wride and indie group Che-Val, the track delivers both nostalgia and a fresh, slightly offbeat edge. “Adeline” is now available to stream on all platforms, with an official music video with a sci-fi twist dropping on April 29th. The vibrant, intoxicating single opens with a bouncing electric keyboard, grooving bass, and live drums, immediately evoking ‘80s nostalgia and transporting listeners to a bright, retro dance floor. Crisp vocals from Ollie Wride and Laura of Che-Val cut through the instrumentals, perfectly tying the track together and building excitement leading to the eruption of the final chorus. “Adeline” was written by Kenny Cash and Evan Murphy of Neon Sines, alongside Wride and Che-Val’s Laura Cash, Cash’s wife and long-time music collaborator. “Evan sen...
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Taylor Swift has rewritten the record books across multiple major digital platforms with the release of her original song written for Disney and Pixar’s upcoming film “Toy Story 5,” set to arrive in theaters on June 19. The country-style track, titled “I Knew It, I Knew You,” was released on Friday, June 5. Swift co-wrote and co-produced the song with longtime collaborator Jack Antonoff, marking Swift’s first new music since the release of her album “The Life of a Showgirl.” The emotional ballad draws heavily from traditional country instrumentation, featuring acoustic guitar, banjo, harmonica, and pedal steel guitar, with the lyrics centering on themes of reconciliation and rediscovery, reflecting the character arc of Jessie, the franchise’s cowgirl rag doll. The release of I Knew It, I Knew You triggered historic single-day metrics across the music industry’s principal streaming services. On Spotify, the tracking window concluded with the song securing the title of “the most-streamed...
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Sony Music Masterworks today releases the original soundtrack album for It’s Not Like That, the new drama series now streaming on Amazon Prime Video. The album features original music composed by Caleb Chan and Brian Chan, whose warm, organic score anchors the series’ tender exploration of love, loss, and second chances. The soundtrack is available everywhere now at https://soundtracks.lnk.to/ItsNotLikeThat. Created by Ian Deitchman and Kristin Robinson and produced by Wonder Project, It’s Not Like That follows Lori, a freshly divorced mother, and Malcolm, a recently widowed minister; longtime friends navigating singlehood while quietly questioning whether their bond hints at something more. The series stars Scott Foley, Erinn Hayes, and J.R. Ramirez, with a cast that also includes Cary Christopher, Leven Miranda, Cassidy Paul, and Liv Lindell. LISTEN HERE The 31-track album captures the full emotional arc of the series; the bittersweetness of school drop-offs, the welcoming bustle...
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Country star Thomas Rhett and pop singer Niall Horan are joining forces for a rare stadium event in 2026, announcing two exclusive shows that highlight their longtime friendship and musical collaboration. The pair will headline concerts on July 9 at GEODIS Park and July 18 at Hersheypark Stadium. The performances mark the first time Rhett and Horan have shared the stage as co-headliners for stadium shows. It will also be the first headline concert for either artist at GEODIS Park. Up-and-coming performers Kashus Culpepper and Emily Ann Roberts are scheduled to open both nights. “Niall and I have been buddies for nearly a decade now, but one thing we’ve not done yet is officially tour together,” Rhett said. “There’s nothing I love more than being on the road alongside longtime friends. It’s going to be a blast for us and the fans.” Horan shared the same excitement, adding, “When TR brought up the idea of doing these, I immediately got so excited just thinking about it. We’ve been friend...
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Emerging multi-hyphenate artist and producer Carter Vogel has released his latest single, “Close Call,” a vulnerable extension of his discography that pays homage to the warm, intimate feeling of quintessential bedroom pop. The track wades through the imminent end of a fleeting summer romance, offering solace in the discomfort of goodbyes. “Close Call” is out now and available on all major streaming platforms. “Close Call” is a sonic divergence from Vogel’s recent releases, yet it remains true to his unfiltered sensitivity and unguarded storylines. Featuring a simple bassline and percussion, Vogel’s vocals are supported by a delicate synth that gives the song a funky, dreamlike quality. Upon listening, the audience is transported into a space that is defenseless and raw, empowered only by the necessity of surrender. His lyricism takes flight in “Close Call,” tracing the journey from angsty preoccupation to bittersweet acceptance. He sings early on “Did you think you could forget me? ...
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 International psychedelic rock ensemble FORRM today unveils their first single “JUNKIE WAYZ” from the upcoming album BOUTIQUE. JUNKIE WAYZ will have its digital release on 1st May. FORRM channel a sound that blends distorted guitars, electronic textures and cinematic atmospheres, music that feels as influenced by film and landscape as it does by traditional rock. “JUNKIE WAYZ” introduces the album’s core sound; a fusion of psychedelic rock and electronic textures, marking the new material from artist and filmmaker Firouz FarmanFarmaian, who wrote the album Playground – Nightology, produced by Eric Chedeville (credits include Sébastien Tellier, Charlotte Gainsbourg and The Weeknd) for Zadig & Voltaire Music. Operating between Paris, New York and North Africa, FORRM is positioned as a multi-cultural  music collective, developed alongside FarmanFarmaian’s work in film and contemporary art. Across the record, FORRM combines live instruments with studio manipulation, building a s...
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Back as abrasive as ever, Nick Moon returns screaming with his latest post-punk single, “Bonfire City,” off his upcoming record, Who is the Bone Man. Moon’s newest track oozes further into his punk influences, whining and waning throughout the 4-minute 18-second fever dream. “Bonfire City” is out now and available to stream on all major streaming platforms. Standing out above the illusive modge-podge of production, kitschy adlibs, and bombastic vocalizations by Nick Moon is the parallel play between the guitar and the bass. Dancing together in a twisted, ominously sensual string battle, they work together to keep “Bonfire City” grounded amidst Moon’s vocalized insecurities and turmoil. The song takes the audience on a frenzied, sleazy journey, featuring chewy Sonic Youth-esque cacophony that can steal any show. “Bonfire City” is exponentially more experimental than Moon’s previous release, “Setting Sun,” but it features the budding hallmarks of his artistry: obnoxiously absurdist lyr...
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